Personal documentary/ Self Portrait

READ: Visual Story Ch 3 Part 1- SPACE: The Frame


Perspective and building space inside the frame. 
Screenings: Single shot/ static shot
About performance

ADDITIONAL READINGS 
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PROJECT #1: Fake Self Portrait
3-5 minutes
DUE: Oct 1
In this “mock-umentary” assignment, you may utilize any or all of the conventions of autobiography or personal video – mobile phone video clips, interviews with people who know you, fictional re-creations of past events, archival photographs with voice-over narration, daily video-diary entries, staged performances in the real world, etc. -  in order to create a fake self-portrait.
Your fictional self-portrait video project should either (a) convey a sense of reality and believability through the use of familiar documentary-style conventions or (b) create an intervention into reality through the clash of real people and situations with made-up characters.
You must create the majority of the audio and video used in the project. Some found media elements (images, sounds, text) can be included in addition to the material you create yourself. The final video must be edited, and should include multiple layers of sound information (e.g., interviews, voice-over narration, sound effects, music, background ambient noises).
ASSIGNED: Self portrait or a portrait of yourself
DUE in one week
- This assignment is inspired by observational techniques from two different moments in film history.
The earliest films produced by the Lumiere and other pioneering filmmakers involved
strategies of looking that are still valuable to practice.
Make a 60 second 1 shot film that observes a a performance in the world, or a montage that observes a place or object.

You must have perfect lighting and focus and thoughtful angles to communicate how you wish this place to be seen. This also shows that you are accomplished at using the camera.
You must use a tripod for this project.

Additional Reading: Do you know how lenses see? Zettl: What Lenses See

Additional Viewing:
Market Street Tomonori Nishikawa: https://vimeo.com/74507691
Camera Man by Buster Keaton
Rain by Joris Ivens

City Symphonies
Lumiere
WPA films
Lindsay Greer, Circus

Waterer Watered


Workers Leaving the Factory


Gaumont treasures - early film
siu.kanopy.com/video/gaumont-treasures-1897-1913


New Deal films
The River

The Coming of the Dial 1933


AUG 20; Introductions, blogs, assessment
Screenings

AUG 22: Introduction to camera. In-class shooting, screenings
Poetics




Happy Sushi

Happy Sushi from Bart Radio SEA/NYC on Vimeo.






STATEMENT BY JUSTIN LINCOLN (US, digital video, 2013, 3:37)
BLOOM by Scott Stark (US, 2012, 11:00)
LOOKING FOR JIRO by Tina Takemoto (US, digital video, 2011, 5:50)
PASSAGE by Cheryl Pagurek (Canada, 2007, 8:23)
THE RANCHER by Kelly Sears (US, 2012, 7:00)
https://vimeo.com/57544766


PLEDGED by Celeste Fichter (US, digital video, 2012, 2:46)
MAGIC MIRROR MAZE by Gregg Biermann (US, digital video, 2013, 5:10)
https://www.fandor.com/films/magic_mirror_maze
THE TIME THAT REMAINS by Soda_Jerk (Australia, 2012, 11:55)
ARACHNE’S THREAD by Emma Osbourn (UK, 2012, 4:30)
https://vimeo.com/25223811

https://vimeo.com/25223811
TRIPTYCH B by Zoë Fothergill (Scotland/UK, 2013, 9:37)
DEATH DRIVE by Liz Rodda (US, 2013, 7:37)
CLIFFS QUARRIES BRIDGES AND DAMS by Josh Hite (Canada, digital video, 2012, 4:00)
FLY by Scott Stark (US, 2012, 3:00)

Stillness and thinking as work
 Passion (JL Godard) clip 1 Empty screen, low intensity space, high contrast tone
  Passion by JL Godard Clip 2


Dara Birnbaum, Wonder Woman


FINDING AND CONVERTING FOUND FOOTAGE:
If you use other people's creative work, be prepared to make significant changes in its meaning. You may use your own footage from older projects, or that of friends. Look for footage aggressively- don't stop with the first clips you see.
HERE is an overview of Appropriation and law regarding fair use
Please follow the link and give it a look over. 

Dirpy.com is a good downloader/converter.