Just like that every other form of art, everything that comprises a piece of work has to have a reason to be there. Every element. Just like being a chef, you use ingredients to create something that wasn’t there before. And you have to carefully think about what ingredients you choose, and how you mix it into your final dish. How you use it as a means of expressing an idea. He might think of it as a composer trying to write a piece of music for an orchestra, and in order to effectively do that, you’re drawing on all the instruments in the orchestra, and thinking about how they’ll function in the piece of music.
It’s the same thing for a filmmaker. Not one thing that you see or hear in the film is there randomly. Everything is designed, everything is intended, everything is there to perform a function. So when it comes to these patterns, a filmmaker simply cannot choose to have it there simply because it’s pretty.
Revenge is something that makes you happy and invigorates you only when it is in your imagination. But when it comes to actually realizing this it is never happy and never gives you pleasure. Because it is an act of total stupidity…So as long as revenge is in the imagination it is good for your mental health. But it must be infinitely put off, must be infinitely delayed.
Park Chan-Wook
https://filmschoolrejects.com/6-filmmaking-tips-from-park-chan-wook-69200a513165
